Literary Pilgrimages to the West Country

Reclamation and Representation keynote Professor Helen Taylor (University of Exeter) will be talking at an upcoming event at Exmouth Library, exploring the rich history of Devon’s literary past from Austen to Coleridge, Salinger to Waugh. The event offers a fascinating look at literary history and literary tourism in the region.

The talk will take place on Weds 28th March in Exmouth Library.

Tickets can be booked from the library (at the very agreeable sum of a mere £2), contactable at exmouth.library@devon.gov.uk, and further information can be found on the WordQuest Devon site: http://www.auneheadarts.org.uk/site/projects/wordquest/index.html

Re-viewing Austen through an Unseen Portrait

Tonight, BBC2 is airing ‘Jane Austen: The Unseen Portrait’.
Martha Kearny follows Dr Paula Byrne, who believes she has come across a portrait of Jane Austen lost to the world for nearly two centuries, engaging with a range of literary scholars alongside art history experts and discussing
our idea of Austen, our desire to know more about her appearance and how this impacts upon her reputation and continued fascination with the author.
As Austen is a writer about whom surprisingly little is known, these kinds of new finds are rather intriguing—as much for the journey they inspire in delving through different kinds of materials in the archiving of literary figures, as for the uphill struggle in establishing (and potentially eventually disregarding) the authenticity of any new additions to a literary history.
I’m watching it now, but it will surely be up on IPlayer asap! The BBC page can be found here: http://www.bbc.co.uk/programmes/b018nz2x

Saving manuscripts 'for the nation' the meaning and 'value' of the Jane Austen Manuscript

Interesting piece below, which stresses the idea of saving the manuscript 'For the Nation' which has been a dominant idea in this field for some time now. But how important is this when the rest of her manuscripts are "scattered around the world in libraries and private collections." and all of her papers are brilliantly collected online (http://www.janeausten.ac.uk)? Especially with the work that has gone into the online versions where "Each manuscript can be opened in a variety of ways: as facsimile pages which can be magnified using ‘zoomify’; as transcribed text set side by side with the original manuscript page; or through a Headnote that provides details of the manuscript’s history and physical description. ". 

So this recent sale which cost "in excess of 1 million pounds" reopens questions such as what is the value of examining the original vs the excellent online version? Who will have access? And what does the acquisition mean for scholarship? etc.


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Article by the Bodleian below:

"The Bodleian Libraries have acquired at auction the autograph draft manuscript of Jane Austen’s unfinished novel The Watsons. The last major Austen manuscript to have been in private hands, The Watsons is the most significant Austen item to have come to the market in over twenty years. 

The acquisition which cost in excess of £1 million was made possible with a substantial grant (£894,700) from the National Heritage Memorial Fund (NHMF). Other generous funders are the Friends of the National Libraries, the Friends of the Bodleian, Jane Austen's House Museum (Jane Austen Memorial Trust) as well as other supporters. 

Richard Ovenden, Deputy Librarian, Bodleian Libraries said: ‘The Bodleian Libraries are delighted to have succeeded in their bid to save Jane Austen’s draft manuscript of the The Watsons for the nation.  The manuscript is such a valuable part of our literary heritage and we are glad it will stay now in Britain. We will make the manuscript available to the general public who can come and see it as early as this autumn when The Watsons will indeed be a star item in our forthcoming exhibition Treasures of the Bodleian. Our thanks go to all our supporters for their enormous generosity in supporting this purchase and in recognising the importance of keeping this priceless manuscript in a British institution.’

Carole Souter, Chief Executive of the NHMF, said:  ‘This was an unprecedented opportunity to acquire the earliest surviving original draft of a novel by one of our greatest and most popular writers. It is fitting that NHMF, the fund of last resort for our national heritage, could step in – in the face of intense, worldwide competition - to help keep this exceptional work for display and scholarship in the UK.’

The Watsons is Jane Austen’s first extant draft of a novel in process of development and one of the earliest examples of an English novel to survive in its formative state. Only seven manuscripts of fiction by Austen are known to survive. The Watsons manuscript is extensively revised and corrected throughout, with crossings out and interlinear additions. It is a testimony of Jane Austen’s efforts to give shape to the earliest ideas as they pour onto paper, as she reviews, revises, deletes and underscores. The Watsons is the very genesis of fiction from one of the Britain’s greatest and best-loved writers. 

The Bodleian Library already holds her Volume the First, a manuscript of Austen’s juvenilia. The University of Oxford leads research in Jane Austen and it has recently launched a digital resource The Jane Austen’s Fiction Manuscripts Digital Edition (www.janeausten.ac.uk) which reunites in a virtual space all Jane Austen’s handwritten manuscripts for the first time since 1845 when her sister Cassandra dispersed the collection.  "