This blog brings together information about literary archives in the news, conferences and publications. Our book "The Boundaries of the Literary Archive: Reclamation and Representation" (Ashgate 2013) is out now!
26 Jul 2011
A response to - "Online is fine, but history is best hands on"
25 Jul 2011
Does digital writing leave fingerprints?
Decoding Your E-mail Personality by Ben Zimmer
Read the rest of the article - http://www.nytimes.com/2011/07/24/opinion/sunday/24gray.html?_r=2
24 Jul 2011
Push to digitize archive reveals hidden Yeats play

An interesting find at Boston College as a result of new digitization initiatives...
Thanks to Librarian Tom Wall’s efforts to bring the institution's archives into the digital era, an unpublished treasure has been discovered—Yeats’ very first play, “Love and Death”. Written in 1884 when Yeats was 18, the little known piece was uncovered amidst boxes of journals and correspondence purchased by the institution from the poet’s son in the early nineties.
Wall’s creation of a committee to search the archives for high impact materials to be digitized resulted in this rare find, and has led to its new access online for a global audience.
The uncovering of the play obviously boasts a major positive for new digital initiatives, both in encouraging archivists and librarians to re-evaluate what institutions contain and in enabling exciting (re)discoveries to be made accessible to researchers and readers the world over.
Yet the digitization process is not without careful attention to attempting to maintain some sense of the aura of the manuscript itself; in bringing the play to digital access, the Boston College website includes high-res photographic images of the handwritten pages to accompany the transcribed text. Burn’s Library conservator Barbara Adams Hebard says of the digitization project, “We definitely wanted to present the whole object as if you could hold it in your hands”.
Wall aims to bring 5% of Boston College’s archive collections online in the future, stating that while “Digital is not a replacement . . . it will be interesting to see what our Web hits look like in a year.”
The play can be accessed the BC website.
Click here a detailed article from The Boston Globe with response from Boston Yeats specialist Marjorie Hawes.
23 Jul 2011
The ‘war against knowledge’? Protesting the academic archive paywall
Anyone following academic news of late may have heard about the current prosecution launched against Aaron Swartz for his downloading of nearly 5 million scholarly articles archived online with JSTOR. Swartz has been charged with computer intrusion, fraud and data theft for his actions—charges which have been branded excessive by many academics and copyright critics. On Wednesday the plot thickened, with over 18,000 documents being pulled from the scientific journal Philosophical Transactions of the Royal Society made available through Bittorrent on The Pirate Bay by Gregory Maxwell. Maxwell's actions made freely accessible documents that usually are charged at a rate of between $8 and $19 dollars for access. Maxwell claims his actions were in protest of Swartz’s charges, accompanying his upload with a manifesto stating his intent to “remove even on dollar of ill-gained income from a poisonous industry which act to supress scientific and historic understanding” regardless of the “personal cost” he might suffer.
While the ‘stealing is stealing’ argument is one side of the issue in relation to how exactly material was obtained, Swartz and Maxwell’s actions obviously spark interesting debate about free access to archived scholarly material. Swartz prominently supports the free flow of information and access online and in libraries in the open culture movement. As Dan Goodwin points out in an article for The Register, critics of the somewhat epic charges brought against Swartz argue that “many of the documents in JSTOR's collection are probably kept behind its paywall against the authors' will and that there are no valid copyright claims restricting their distribution”.
Should access to archived scholarship be free in the digital domain? How far does the "authors’ will" extend? Is prosectuing for downloading to this extent the same as being charged for checking out too many books at the library?
For more on Swartz and the charges as covered by the Demand Progress Blog, click here.
20 Jul 2011
How to archive tweets
One article speculates on the uses of archiving tweets: "Not everyone will care to archive their tweets, but it can be a good idea if you want to keep a record of what you’ve said on Twitter. You might be running a business Twitter account and want to save your interactions with customers, or you might be using Twitter to write 140-character haikus that you eventually compile into a book."
How to archive your tweets - http://www.mediabistro.com/alltwitter/how-to-archive-your-tweets_b4707
Another article - http://news.idg.no/cw/art.cfm?id=9C7F0E3F-1A64-6A71-CE891C8591844C5A
19 Jul 2011
Online Watermark Archive
The Gravell Watermark Archive brings together over 50,000 watermarks from across America and Europe. The collection incorporates some 7,500 images collected by American-watermark expert Thomas L. Gravell, and Charles-Moise Briquet’s documentation of around 45,000 unpublished marks. The online archive allows users to search a range of designs from mythical creatures to symbolic objects, intricately rendered by a process of attaching wire to a paper mould. Watermarks function to identify paper products related to particular makers or mills at specific times and places, and their inclusion in the online database can assist researchers to dating elusive manuscripts.
Click here for a full article on the archive by Erica Olson, and here for a link to the Gravell website.