3 May 2011

Article on Prof Helen Taylor's Honorary Fellowship



"This annual award, inaugurated in 2009, recognises American Studies academics who have made an outstanding contribution to the Association, to their institution, and to the American Studies community in general over the course of a distinguished career. Professor Taylor has contributed to this area of research for almost four decades. Her research on ‘Gone with the Wind’ made a significant contribution to the understanding of the role of popular culture in the notions of the South, of femininity, of whiteness and of slavery. Professor Taylor’s work on the studies of Willa Cather, Zora Neale Hurston and Tennessee Williams have helped to keep a range of American and specifically Southern American writers at the forefront of American and literary studies...."

http://www.exeter.ac.uk/news/featurednews/title_137129_en.html

27 Apr 2011

Lost Archive of Ludwig Wittgenstein


"The Cambridge academic Prof Arthur Gibson revealed on Tuesday that he had spent much of the past three years working his way through an archive of Ludwig Wittgenstein material which disappeared in the chaos of the second world war.
The archive, around 170,000 words plus mathematical equations, provides fresh insights into the philosopher's mind and also shines a fascinating light on the complex relationship he had with the man who, as amanuensis, put most of the words on to paper – his young male lover Francis Skinner.
Gibson recalled when he first opened the archive: "I was just stunned. It was astonishing because it's a whole archive, never seen before and most of it entirely new. It provides an insight into his thought processes – you're almost peering into his mind.""

http://www.guardian.co.uk/books/2011/apr/26/wittgenstein-lost-archive?CMP=twt_gu

26 Apr 2011

BBC radio 4 program - Tales from the Digital Archive

http://www.bbc.co.uk/programmes/b010m9sw

"Once a writer's archive consisted of letters, badly-typed first drafts and corrected manuscripts. But now they write on computers and communicate by email, what clues to their creative process remain? Archaeologist Christine Finn sets out to explore how the new generation of archive from the digital age will be made accessible to future generations.
She hears from Erika Farr, the Coordinator for Digital Archives at Emory University in America, which recently acquired Salman Rushdie's archive. It is a definitive 21st century archive, including emails, discs, and the computers on which he wrote his best-selling books.
Meanwhile the British Library is also addressing the digital challenge. Christine meets their first-ever Curator of Digital Manuscripts, Jeremy John, who explains how they're developing a 21st century approach to the preservation of the writer's environment. Instead of having to travel to Ted Hughes' Devon home to view his work-place, devotees will be able to access a digital reconstruction of his study via th BL website.
Christine Finn also discusses the impact of technology on the art of archiving the work of writers and poets with novelist Fay Weldon, exploring how these developments affect authors, their readers, and potential biographers. She hears from Margaret Atwood's biographer, Professor Nathalie Cooke, Associate Provost of McGill University in Montreal, and from Bobby Friedman, who has written an unofficial biography of politician John Bercow.
The traditional lament is the loss of data, as email replaces letters and drafts disappear with the delete key. But here Finn celebrates the new technology that is as much a part of an archive as the words themselves."

Emory University - how using archives aided students

http://web.library.emory.edu/blog/archival-expedition-part-3

Nice little piece about students changing their views about Sexton's poetry in light of using archival sources, correspondence etc.

20 Apr 2011

Wendy Cope's Archive bought by the British Library

Wendy Cope's archive has sold to the British Library for £32,000. It includes letters, drafts etc plus 40,000 emails.

 "Cope's school reports – kept for the author by her mother – see the 16-year-old Cope's English teacher note that "Wendy's ability to penetrate to the heart of a question is of great value", while the author is also praised for her "power of expressing herself concisely and forcibly"."


Link to BL's press release - http://pressandpolicy.bl.uk/Press-Releases/-Some-sort-of-record-seemed-vital-British-Library-acquires-the-archive-of-Wendy-Cope-4e6.aspx

5 Apr 2011

London Metropolitan Archives reveals 14th Century Asbos

An amusing report from the BBC News Magazine website drawn from the forthcoming series Filthy Cities, which explores the history of filth in medieval London, 18th C Paris and 19thC New York.

The full article from the link below features a rather wonderful interactive map of one of the archived documents.

BBC News - An Asbo in 14th Century Britain



www.bbc.co.uk

Today we are urged to report fly-tipping and other nuisances - just as our forebears did 700 years ago. Their complaints survive in a rare 14th Century document, the Assize of Nuisance..... full story: http://www.bbc.co.uk/news/magazine-12847529

24 Mar 2011

Welsh Libraries, Archives and Museums Conference 12--13th May 2011

CILIP Cymru
Welsh Libraries, Archives and Museums Conference12th -13th May 2011
Survive and Thrive The Metropole, Llandrindod, Wales

Full information and registration details can be accessed from the title link above.

15 Mar 2011

Daniel Defoe manuscripts discovered in pub?

While Stockwell Arms, in Colchester’s Dutch Quarter was being renovated the builders discovered some manuscripts written with a quill pen under the floorboards of the 14th century pub:


"Mr Morgan is sending the fragmented manuscripts off to a museum to be assessed by experts, because he believes they may have been written by Robinson Crusoe author, Daniel Defoe, who is rumoured to have lived there in the 1700s."


http://www.gazette-news.co.uk/news/8880306.Has_revamp_of_old_pub_unearthed_priceless_Defoe_find_/



16 Feb 2011

Congratulations Prof. Helen Taylor!

We are delighted to announce that our keynote speaker from 'Reclamation and Representation' Prof. Helen Taylor has been awarded the British Association of American Studies Fellowship for 2010-11.

According to the terms of the award, this is in recognition of her 'outstanding and invigorating contributions to the discipline over a sustained period.'

Many congratulations!

14 Feb 2011

PDF, The Waste Land, and Monica’s Blue Dress

PDF, The Waste Land, and Monica’s Blue Dress

By Rob Weir

We say the word “archive” quite easily and cover a large number of activities by that name, and in doing so risk blurring a number of different activities into one over-generalization. Before you are told that format X or format Y is best for archiving it is fair to ask what is meant by “archiving” and ask who does the archiving, for what purpose and under what constraints.

In some cases what must be preserved, and for how long, is spelled out in detail for you, by statute, regulation or court order. Or, a company, in anticipation of such requests may require preservation as part of a corporate-wide records retention policy for certain categories of employees or certain categories of documents.

An example of the range of materials that may be included can be seen this preservation order:


“Documents, data, and tangible things” is to be interpreted broadly to include writings; records; files; correspondence; reports; memoranda; calendars; diaries; minutes; electronic messages; voicemail; E-mail; telephone message records or logs; computer and network activity logs; hard drives; backup data; removable computer storage media such as tapes, disks, and cards; printouts; document image files; Web pages; databases; spreadsheets; software; books; ledgers; journals; orders; invoices; bills; vouchers; checks; statements; worksheets; summaries; compilations; computations; charts; diagrams; graphic presentations; drawings; films; charts; digital or chemical process photographs; video; phonographic tape; or digital recordings or transcripts thereof; drafts; jottings; and notes. Information that serves to identify, locate, or link such material, such as file inventories, file folders, indices, and metadata, is also included in this definition.


–Pueblo of Laguna v. U.S. // 60 Fed. Cl. 133 (Fed. Cir. 2004).

I would pay particular attention to the part at the end, “…drafts; jottings; and notes. Information that serves to identify, locate, or link such material, such as file inventories, file folders, indices, and metadata”.

Similarly, consider government and academic archives, that are preserving documents for the long-term. The archivist tries to anticipate what questions future researchers will have, and then tries to preserve the document in such a way that it can best answer those questions.

A PDF version of a document answers a single question, and answers it quite well: “What did this document look like when printed?” But this is not the only question that one might have of a document. Some other questions that might be asked include:

  1. What was the nature of collaboration that lead to this document? How many people worked on it? Who contributed what?
  2. How did the document evolve from revision to revision?
  3. In the case of a spreadsheet, what was the underlying model and assumptions? In other words, what are the formulas behind the cells?
  4. In the case of a presentation, how did the document interact with embedded media such as audio, animation, video?
  5. How was technology used to create this document? In what way did the technology help or impede the author’s expression? (Note that researchers in the future may be as interested in the technology behind the document as the contents of the document itself.)

The PDF answers one question — what does the document look like — but doesn’t help with the other questions. But these other, richer questions, will be the ones that may most interest historians.
Let’s take an analogous case. T.S. Eliot’s 1922 poem The Waste Land is a landmark of 20th century literature. Not only is it important from an artistic and critical perspective, but it is also important from a technology perspective — it is perhaps the first major poem to have been composed at the typewriter. What was published was, like a PDF, what the author intended, what he wanted the world to see. That is all the world knew until around 1970, after the poet’s death, when the rest of the story emerged in the form of typewritten draft versions of the poem, with handwritten comments by Ezra Pound.
 
 
 
These drafts provided pages and pages of marked up text that showed the nature and degree of the collaboration between Eliot and Pound far more than had been previously known. This is what researchers want to read. The final publication is great, but the working copy tells us so much more about the process. History is so much more than asking “What?”. It continues by asking “How?” and eventually asking “Why?” — this is where the real insight occurs, going beyond the mere collection of facts and moving on to interpretation. PDF answers the “What?” question admirably. I’m glad we have PDF as a tool for this purpose. But we need to make sure that when archiving documents we allow future researchers to ask and receive answers to the other questions as well.

Flash forward to the technology of today. We are not all writing great poetry, but we are collaborating on authoring and reviewing and commenting on documents. But instead of doing it via handwritten notes, we’re doing it via review & comment features of our word processors. Although the final resulting document may be easily exportable as a PDF document, that is really just a snapshot of what the document looks like today. It loses the record of the collaboration. I don’t think that is what we want to archive, or at least not exclusively. If you archive PDF, then you’ve lost the collaborative record.

Another example, take a spreadsheet. You have cells with formulas and these formulas calculate results which are then displayed. When you make a PDF version of the spreadsheet you have a record of what it “looked like”, but this isn’t the same as “what it is”. You cannot look at the formulas in the PDF. They don’t exist. Future researchers may want to check your spreadsheet’s assumptions, the underlying model. There may also be the question of whether your spreadsheet had errors, whether from a mis-copied formula, or from an underlying bug in the application. If you archive exclusively as PDF, no one will ever be able to answer these questions.

One more example, going back to 1998 and the Clinton/Lewinsky scandal. Kenneth Starr’s report on the case was written in WordPerfect format, distributed to the House of Representatives, whose staff then converted it to HTML form and released it on the web. But due to a glitch in the HTML translation process, footnotes that had been marked as deleted in the WordPerfect file reappeared in the HTML version. So we ended up with an official published Starr Report, as well as an unofficial HTML version which had additional footnotes.

Imagine you are an archivist responsible for the Starr Report. What do you do? Which version(s) do you preserve? Is your job to record the official version, as-published? Or is your job to preserve the record for future researchers? Depending on your job description, this might have a clear-cut answer. But if I were a future historian, I would sure hope that someone someplace had the foresight to archive the original WordPerfect version. It answers more questions than the published version does.

So, to sum it up: What you archive determines what questions you can later ask of a document. If you archive as PDF, you have a high-fidelity version of what the final document looked like. This can answer many, but not all, questions. But for the fullest flexibility in what information you can later extract from the document, you really have no choice but to archive the document in its original authoring format.

An intriguing idea is whether we can have it both ways. Suppose you are in an ODF editor and you have a “Save for archiving…” option that would save your ODF document as normal, but also generate a PDF version of it and store it in the zip archive along with ODF’s XML streams. Then digitally sign the archive along with a time stamp to make it tamper-proof. You would need to define some additional access conventions, but you could end up with a single document that could be loaded in an ODF editor (in read-only mode) to allow examination of the details of spreadsheet formulas, etc., as well as loaded in a PDF reader to show exactly how it was formatted.